Dear Friends and Colleagues,

As the message of The Book of Inter-religious Peace seems to us as crucial factor to deepen tolerance and inter-cultural understanding, we have decided to make The Book available to everyone for the minimally possible price.

Some versions of certain titles are provided for download on this page, free of any charge. We would appreciate any donation on your part to the Center of Inter-religious Peace which functions as a shelter for stray and sick animals.
For donations via PayPal see the following link: Paypal
For other donations, please contact us by E-mail:

With friendship,

Dr. Dorit Kedar
and the Team at
the Center for

Titles available:

Caravaggio as a Modernist -cover

Caravaggio as a Modernist: What is Modernism?

This book presents seventeenth-century Caravaggio as a modernist artist. In this book, modernism is perceived not as a style dependent on time and space but as an essential system of values connected to a subjective view of the world. Read More.

Book of Peace - Cover

The Book of Inter-religious Peace in Word and Image

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The Book of Inter-religious Peace suggests a revolutionary philosophical and theological way so as to realize the leap of consciousness necessary to overcome idiosyncratic thinking and confining dogma.


סיפורי מוניות (in Hebrew) Download for free!

Cab Story is a collection of personal stories told by cab drivers, pouring their heart’s desires, dreams, and aspirations in a surreal manner to their passenger.
If you liked the play, please Donate.


Cab Story, A Play
Print: Amazon CreateSpace
eBook: Kindle, iBooks

Cab Story is a collection of personal stories told by cab drivers, pouring their heart’s desires, dreams, and aspirations in a surreal manner to their passenger.

Previous Title by Dr. Dorit Kedar:

Caravaggio KeModernist

?קרוואג’יו כמודרניסט: מודרניזם מהו
(Caravaggio as a Modernist: What is Modernism? Hebrew edition)
Publisher: 2000 ,הקיבוץ המאוחד

בספר זה מוצג קרווג’יו, אמן בן המאה השבע-עשרה, כמודרניסט. בהקשר זה, המושג “מודרניזם” מטופל לא בהקשר חלל-זמן אלא כמערכת מהותית של ערכים השואבת מעולמו  ומנקודת מבטו הייחודים של האמן היוצר

Tarot Cards

קלפי טארוט: שלבים להעצמת המודעות ביומיום
(Tarot Cards: Steps to Enhance Daily Awareness; in Hebrew)
Publisher: הוצאת ירון גולן, 1999

תובנות זן בודהיזם ופילוסופיית המזרח הרחוק מהוות את המוקד לכתיבה על כל קלף טארוט. רעיונות מופשטים מתבהרים, בזמן שכל קלף מוצג על-פי חוכמתו הפנימית, במטרה להוביל את הקורא בעיניים פקוחות וברוחב-לב אל תובנות מעשיות ומנטליות בחיי היומיום

 Exhibition Catalogs:


יעקב אפשטיין: תיאוריה להתבוננות
Jacob Epstein: Theory of Observation
Publisher: Israel’s National Lottery Fund, 2006

This book is dedicated to the artist Jacob Epstein and to his wondrous ability to look, observe, absorb and realize an image in sculpture.

Apparently, the act of observation is an easy and natural phenomenon, particularly for a creature that has eyes to see. Nevertheless, one of the most essential philosophical questions is if we, in fact, see what seems to us ti be that which we are seeing.


Fima: Shanghai, Jerusalem, Paris, Jerusalem
Publisher: Mane-Katz Museum, 1998

An artist who lives the present, searches ties to the past, never forgets to experience so that future – is to be fully realized.

RuthArion0001Ruth Arion: Works of Art & Life
Publisher: Ein-Hod Artists Village, 1995

The eyes of the artist confront reality with curiosity. She is like a sunflower, open to the coming days. There is a link between the external world and the inner world of the creator – a sort of a leitmotif repeating itself. Existence is absorbed by the seer, who finally determines the way of perceiving.


HEAD: Gabi Ben-Jano, 1984–1989
Publisher: Kfar-Saba Municipal Gallery, 1990

Ben Jano’s head shows the artist’s totality, the body and soul; the artist decides to place it on the operating table, drills, uses it as a spade to dig up thoughts and searches, a pit to clash with. He treats it as if it were a stranger, builds, thinks logic.


FIMA: 1×1 Art Library
Editor: Moshe Bar-Yuda
Publisher: Culture & Education Enterprises Ltd., 1989

Fima’s painting is a descendant of the Third Eye, which is at the same time physical  a gate through which everything is absorbed, an opening through which the exterior reality sifts into the painter’s being  and a spiritual eye, selecting images according to personal criteria and subjective reactions. These qualities necessarily respond to sophisticated aesthetic demands, maturity of experience, knowledge, information and, above all, sensuous intuition.